Summer Roadtrip Brainstorm Part Deux

August 2, 2007

Books are pretty much the ultimate insulator, but in the heat of summer their coziness can be down right oppressive. (This may be one of the reasons why places like the University of Texas change their undergraduate libraries into things called “academic centers.”)

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Consider cooling off this August by paying a visit to Roni Horn’s VATNASAFN/LIBRARY OF WATER in Stykkisholmur, Iceland. Her work, installed in an former library building, features translucent columns filled with melted H20 from Iceland’s receding glaciers. Most of the text in Horn’s library is actually a “field” of English and Icelandic adjectives inscribed into the floor. So no worries about sweat droplets warping your summer reading!

But if your desperate for paragraphs, try Weather Reports You, Horn’s related project.


Digestible

July 29, 2007

Tiny book

Ever wished you could move yourself through works of public domain fiction and non-fiction just a bit at a time? Nostalgic for the days of serialization? Just want something to read on your e-mail when you’ve finished reading the Internet? Then sign up for one of the hundreds of books available on DailyLit and have small chunks sent to your email at the frequency of your choosing.

I’m trying out Alice in Wonderland in daily chunks — I haven’t read it since I was a kid, and it seemed somehow appropriate to the medium.

You can read more about the DailyLit project here.

[Tiny book photo comes from here.]


What’s WACK? No index.

July 17, 2007

Ever since the WACK! catalogue hit the shelves of my museum’s gift shop a few months ago I have been pretty obsessed. So thick it is with information about feminist art! And so lovely to look at! The different sections of the book are printed on different types of paper, so you get that nice stripy effect when you look at it from the side**. The book jacket features Martha Rosler’s Body Beautiful…, 1966–72, and there has been a bit of a hubbub over all those naked ladies (totally busted staring at it by coworker). But the thing about the catalogue that gets me in a huff is this: NO INDEX!.

Maybe the editors felt that the organizational structure of the catalogue was sufficient. Maybe critical essays are too much of a pain to index. Maybe they ran out of money and/or time. Now, I did not see the exhibition at LA MoCA and it isn’t scheduled to dock on the east coast until this Fall, but from what I’ve read the exhibition is purposely dense and loosely organized, freeing the visitor from the didactic chains of, say, wall text or chronology. Maybe the indexlessness of the WACK! catalogue is supposed to mimic this experience–which is said to mimic the experience of the feminist art movement itself–forcing its readers to re-experience what Carol Armstrong in May’s Artforum depicts as “the thrilling (and exasperating) chaos of the moment, the all-over-the-place-free-for-all that was those two decades,” liberated from “lame categories.”

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I could talk forever about whether or not categories are lame, but there is a general expectation that any volume hovering around 500 pages should have an index. It’d be nice if, for example, while reading Howardena Pindell’s bio on page 281, I could flip to the index, learn that she’s in an essay on page 429, and see shiny reproductions of her works on page 167. I propose that, in the spirit of the movement, we organize a collective indexing effort. Contributions welcome. I’m serious.

**color reproductions of the art (white glossy); brief bios of the artists (beige matte, purple text!); critical essays (off white matte, black text and purple footnotes!, color reproductions); a chronology of all-women group shows and WACK! checklist (beige matte, purple text!)

 


Summer dispatch

July 11, 2007

You may have noticed that this blog, like so many fashion magazines, has slowed to a halt in the middle of summer. As for me, I’m in the midst of a cross-country move, a career-track change, (more later) and some fun times visiting friends abroad. (I write this from a cafe in Istanbul. No joke!)

But I can earnestly say I’ve missed this, and great stuff around:

  • Sara Piasecki of Historical Notes from OHSU  posted a bit about this year’s RBMS preconference, including a post about a session on Minimal Processing . For those unfamiliar with the divide,  the Rare Books and Manuscripts Section  of ACRL covers a lot of the same ground as archival organizations, but there are precious few who are truly active in both spheres- thus, transparency and communication is, in my opinion, so necessary.
  • archivematica has a post about ICA-Atom’s GoogleMaps mashup. So cool. This isn’t the first foray into integrating geographic data with finding aids- I seem to recall a UNC project that integrated GIS data with finding aid indexes. Moreover, I’d look for more work in the near future that does this sort of thing- linking physical spaces and places with related archival materials.
  • And not really related but long overdue, check out Jeanne’s post on (and Google Code page for) ArchivesZ, a tool for visualizing collections.

And, I hate to even bring this up, Hip shushers. Sheesh! I’m not going to try to track the wide and varied, over-serious and goofy reactions to this. But I’m gonna give in and spill mine. The article seemed to deal first and foremost with NYC area LIS grad students, and not working librarians. I bristle at the idea of trying to live anywhere in America, much less in gentrified Brooklyn, on what NYPL and BPL pay their entry-level librarians. But what I haven’t seen addressed is that the newfound preciousness of going to library school isn’t about anything job or education related- it’s about a mass of college graduates, mostly female, with both real and percieved lack of career options casting their lot onto an arcanely feminized public serivice sector with a lot of inherent problems. I think that any enthusiasm or momentum coming to libraries and archives is ultimately good, but I also think that we should be talking about these things really critically.


(unofficial) SAA wiki is up!

June 20, 2007

I took a breather from booktruck a few weeks ago and ended up missing out in an exciting round of archivists scheming for future gatherings devoted to Web 2.0. Folks floated blogger gatherings, speed geeking, online tutorials, and an ArchivesCamp. Today, Archives Next and Spellbound Blog officially announced the UnOfficial Wiki of the 2007 Society of American Archivists (SAA) Annual Meeting, an awesome stepping stone towards making this next SAA meeting transparent, well-recorded, and coordinated in our efforts. Of course, if you’re headed to Chicago, contribute.


what do you do?

June 17, 2007

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For the past two years, I have lived in a city that is for most intents and purposes Southern, sprawling and constantly booming, with highways and new cars and lots of good jobs. I work  at its sprawling, booming, self-serious state university, where kids and grown ups get degrees and get good jobs, as a matter of self-perpetuation, societal paricipation, and in taking advantage of unprecedented opportunities. Asking “What do you do?” isn’t a snobby judgemental thing to do, but a matter of business in the most basic sense.

I went straight through college and graduate school- both of my parents finished college after they had kids. I had lot of the same intentions as the students I work with. I’ve yet to see numbers on this, but my perception is that a lot of women who become librarians also become the most educated people in their families while doing so- that this career, this profession, is often one that people enter into, even when as an afterthought, as a life-changing thing. I think new librarians affirm this quite a lot- they take on “librarian” as part of their identity.  The thing I think is so interesting, so magnetic about library blogs, is that they are an excerise in women talking publicly and passionately about their careers.

There’s not a lot of attention in our culture today focused on women in their jobs. In women’s movies, do you ever get much insight on how the Jennifer Aniston and Reese Witherspoon characters feel about their careers? To take the pinnacle of genre entertainment as example, how often did we see the Sex and the City ladies actually at work? Their jobs, athough defining in a cursory way, were an afterthought. If movies today show women at work, it’s either in leisurely stylish rich girl jobs, recent past-period pieces, or in fairly disadvanged situations (see North Country, with the excellent line, “Do you want to make as much money as your Dad?”), but never as contemporary professionals. Where is our Network, our Norma Rae, our 9 to 5, even?

I meet other women at parties and bars and barbecues, who are doctors, teachers, lawyers, nurses, engineers, social workers, academics and curators (the real kind, not Charlotte on SATC). I meet women in other cities who work in media or have started their own businesses or who are artists and avoid “real” jobs. And when I think about it, we all put forth quite a bit for our careers, and our jobs, which are all regardlessly, “real”. We must think a lot about what our jobs mean for the other choices they have to make. But it’s hard to even navigate asking those questions. People see their work through the lens of their identity, and explaining what that means is boring for the most part. I also don’t want to be looked down upon by someone who thinks what I do is insignificant, or be percieved as self-important. But these things matter to me, I have a lot of unanswered questions about them, and I do want to talk about this stuff. But instead I talk to other women about their relationships, clothes, and expensive stuff we buy for the kitchen, or at most soul-baring, how we think we could ever afford to and manage to have children. Oh shit, where is feminism in all this?

As an act of feminist assertion and in affirming that I care about what I do, that it is important to me, I want to have more conversations with other women, both in my profession and out of it, about what our careers mean. I want to talk to dudes I know about gender and sex at work, and about what they think their partners careers’ (regardless of respective gender) mean. How do we do this?


down the drain

June 14, 2007

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Everyone and everyone who blogs about libraries has been talking about Michael Gorman’s blazes on the Britannica blog, and about some weird public blog dissing at NASIG. Okaaay. I think it’s because it’s the same old debate, floated for the millionth time.

Coming from the sphere of archives and special collections (and having an extremely fluid professional identity), I should hope I’ve developed a decent immunity to pretense, snootiness, and off-putting quasi-intellectual b.s.. Residual fear of change, pedestal-putting for “scholarship”, xenophobia, lack of empathy with everyone else, check! I ain’t saying it’s the norm, because I can’t live with that as my reality, but the air gets kinda thick, and you can’t get angry every single time. To put this in terms of relevance, Karen Schneider says, “To millions of people, he represents librarianship”, but I’m not so sure. I lack the reverence to think that someone who in the past had held a widely acknowledged as disastrous term of office in an everything-and-nothing organization has much real weight to throw around.

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But what bums me out so much about Gorman’s steez isn’t that he’s mean. Cause a good academic feud is a thing to behold! What gets me is that he has an opportunity to fulfill a role as a public intellectual talking about libraries, archives and information topics that are important to the public, and he blows it on a self-referential argument chasing some bygone ideal of what it means to have reasoned discourse (bypassing, like, the last 70 years of western thought!), and in a needlessly puffy and alienating style that would (in a perfect world) never pass muster in a “real” scholarly setting. That Scott Mclemee, danah boyd, and Tom Mann are in the Britannica bullpen for this makes me at least want to stay tuned in. (Does anyone else find the tagline “Where Ideas Matter” nonsensical and grounds for eye-rolling?)

As Jessamyn points out, information retrieval is becoming important in so many more aspects of life, not just in so-called scholarly pursuit. We are living a major social change! This is what I don’t get when folks tell librarians to step up the game, re: discourse. Information issues don’t need to be made important- they already are! The major struggle, I think, is clarifying this, to which knocking down everyone else doesn’t really help.

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That’s the snag, it seems, in the “Column People” debacle, wherein a NASIG conference presenter cited a post at Wandering Eyre as an example of frivolity, informality and presumably, the road to ruin for those who should know better. It seems like the argument was that “this doesn’t matter” as well as “too many in our community are engaging in this”. Which is kinda faulty. Let me say outright that I work with and respect Ms. Jane Eyre, and greatly admire the confidence she conveys in her blog.

Anyone who has any stake in this knows that blog informality is a really powerful use of rhetoric. Because dishing out issues of the profession while making cultural references and identifying statements is a form of self-assertion, and the more, the better: being privileged means you don’t need to censor yourself for survival. Obvs, I value informality in discourse, and anyone who thinks this is a free for all, all new due to blogs has yet to drink with academics. It’s a pecking order just like any other.

I still ascribe to the riot grrrl (Valley Girl Intelligensia?) idea that you should talk like who you are as a political statement vis a vis assertion of your experience. I’ve never taken for granted that it’s a risk, and that it carries weight. So what I do worry about is those with audience and prestige making trivial norms of the things they like and their manner of speech, thus negating the long and treacherous feminist discourse that made it possible to draw on our own experiences as something that matters.


Parsimonious Family Road Trip Brainstorm: Public Libraries

June 13, 2007

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One summer c.1987, my dad packed the family into the Suburban and took us on a Ghost-Towns-of-West-Texas themed road trip. In addition to being completely miserable, it was also economical. I got to see the Marfa Lights (free) and got to feed a Lone Star to a goat (price of small-town Lone Star c.1987).

Matt Gross, aka the Frugal Traveler has an equally thrifty, yet million times geekier suggestion in yesterday’s New York Times: the public library. During his road trip to Columbus, Ohio he cruises by I.M. Pei’s Cleo Rogers Memorial Library, which in addition to being one of the town’s architectural gems, also serves as Bartholomew County’s main branch. Might I also suggest any number of the presidential libraries, such as the Clinton Library in Little Rock-the architectural features allow for the spectacle of a beer drinking goat with some history thrown courtesy of the National Archives.


The Convent

June 10, 2007

I’m not sure that I can unreservedly recommend the metaphor-heavy film The Convent (1995) by Manoel de Oliveira, but I can recommend its creepy atmosphere and the performances by Catherine Deneuve and John Malkovich, who, honestly, I would watch do anything in any movie for any length of time. And most of all, I can recommend its cool monastery archives somewhere in an isolated nook of Portugal. Malkovich is a scholar doing some research there (but is he really who he says he is?) and Deneuve is his wife that may or may not have the hots for the creepy caretaker of the monastery. The archivist is pretty hot too, and Malkovich may or may not have the hots for her.

The archives pops up a few times in this trailer from YouTube. The archivist is the demure looking cutie with the long braided hair.


New Yorkery

June 8, 2007

Here is an interesting (and long) article about Austin’s Harry Ransom Humanities Research Center from the New Yorker. Fun to read for Austinites and library-school types that have been behind the scenes at the HRC. Presumably also fun for fans of Don DeLillo.

There is a nice description of how archives are organized and used, and what sorts of things might turn up in them, although the author gives the impression that patrons are able to just browse the stacks and peak into the boxes. I’m still irritated with the HRC and other fancy collections making the purchase of archives for high-dollar amounts instead of the donation of materials the norm, but hey, this is Texas.